Past Projects
I have worked in the television and film industries in London for over 20 years.
I was chief engineer at CAL Videographics running London's first Sony D1 Digital VTR in the late '80s.
Subsequently I worked at The Mill and later assisted in the inception of MillFilm.
For the last 10 years I worked at MPC where I installed London's first production ARRI Laser film recorder.
At MPC I was involved technically in taking the embryonic film department of just 17 people back in 1998 to a world class facility of over 500 people working on such movies as the Harry Potter series of films, Narnia - Prince Caspian, James Bond - Quantum of Solace, Sweeney Todd and Slumdog Millionaire to name just a few.
I am now a consultant to the film and television industries with a passion for developing efficient and aesthetically pleasing digital movie camera and 3D stereoscopic workflows from set, through post-production and onto the screen.
These are some of my more recent projects. Further details are on the 'Services' pages.
British Society of Cinematographers
I was the technical consultant on the British Society of Cinematographers' recent 'Film and Digital Image Evaluation' - and now sit on the BSC's Technical Committee
IMAX stereoscopic shoot of the "Running with Bulls" festival, Pamplona, Spain
I joined leading Spanish stereoscopic company D4D on a six stereo-camera shoot of this historic event.
Mobius Film VFX
Instigated display evaluation, colour calibration and colour management at this high-end Soho post-production company for their work on Hollywood's "Prince of Persia" - and "Creeping Zero", a stereoscopic production for the 2010 Berlin Film Festival.
The Look
Full colour calibration of this boutique facility specialising in grading movies, commercials and documentaries.
ARRI Media
Translation of on-set grading LUTs (LookUpTables) for later use in Digital Intermediate post-production grading.